If one were to follow a single golden rule when traveling abroad, then it would surely be that any opportunity must be taken to visit a park exhibiting model dinosaurs in the woods, so long as it is within a reasonable traveling distance. Naturally, Agata and I followed this important principle when we recently stayed with her aunt and uncle in the city of Toruń, located in the Kuyavian-Pomeranian Voivodeship (province) of Poland. In the same region of the country,…
Pinacosaurus
Our guest this episode is Emiliano Troco, a modern ‘old master’ whose traditional paintings evoke the imagery of the flowering of early 20th century palaeontology. Our Vintage Dinosaur Art title is Dorling Kindersley’s The Ultimate Dinosaur Book, another of those formative publications released in the same year as Jurassic Park, and one which can quite justly claim to have then lived up to its name. Can Niels resist making a Slam Dunk joke? Can Marc resist referencing Jurassic Park and…
George Solonevich is one my favorite artists covered at LITC. His work stands out during an era of paleoart that saw so many artists copying Knight and Burian. I’ve long planned to do a “golden oldie” post on him, and today I’m finally marking that off the to-do list. I initially wrote a brief post about him in 2010, which Marc followed up in more fleshed-out form a few years later (part one and two). The bulk of today’s post…
Or Norman: Into the Normanverse What book casts a longer shadow than David Norman’s 1985 The Illustrated Encyclopedia of Dinosaurs? Which dinosaur reconstructions are more iconic, more widely seen and more frequently copied than John Sibbick’s? What book has been referenced more frequently on these pages than the one we still affectionately call the Normanpedia? Will this whole review consist of rhetorical questions? Today, I want to talk about a book by David Norman that came out a mere three…
Gather round everyone, it’s time for the fifth and final look we’re having at the fabulous book of The Great Dinosaurs, the swan song of the great Zdeněk Špinar, who died shortly after publishing this book, and the artistic masterpiece of his fellow Czech Jan Sovák. Here are part one, part two, part three and part four, if you’ve missed them. There’s been a healthy number of comments and discussions under each of these so let’s see if we can…






