Our tremendous trio is back for 2024, but not all things are as they were… mostly they are, though. We get back into the swing of Vintage Dinosaur art, or is that Nostalgic Dinosaur Art? We explore the work of Mark Hallett, the man Marc once declared his Favourite Palaeoartist Ever, as it appears in Stephen and Sylvia Czerkas’ Dinosaurs: A Global View, also featuring works by John Sibbick and Douglas Henderson. Then, Marc and Natee interview Andy Frazer, also…
Yangchuanosaurus
Vintage Dinosaur Art: New Questions and Answers about Dinosaurs
Vintage Dinosaur Art January 18, 2023Published by The Trumpet Club (great name) in 1990, New Questions and Answers about Dinosaurs is exactly the right age to be the sort of book that I might have encountered in my very first years learning about dinosaurs. Except, I didn’t – perhaps it was more widely available in the US than over here, for that is where this copy came from, sent over once again by Herman Diaz. (Thank you Herman!) In terms of the artwork, it’s a…
Carrying on from last time! The woes of 2021 drove me to the occasional book shopping spree, and as a result I’ve got at least another year’s worth of VDA books on my shelf. If I recall, this book was a fortunate find on Dutch web shopping giant Bol punt com. I was unfamiliar to it but it turns out that a lot of you grew up with this one, so I hope you enjoy part two of this trip…
Or Norman: Into the Normanverse What book casts a longer shadow than David Norman’s 1985 The Illustrated Encyclopedia of Dinosaurs? Which dinosaur reconstructions are more iconic, more widely seen and more frequently copied than John Sibbick’s? What book has been referenced more frequently on these pages than the one we still affectionately call the Normanpedia? Will this whole review consist of rhetorical questions? Today, I want to talk about a book by David Norman that came out a mere three…
Today I’m excited to bring you an interview with one of the most prominent paleoartists working today, Gabriel Ugueto. If you are on Facebook, Twitter, or Instagram and follow paleoart at all, you are likely well aware of the astonishing scope and quality of art flowing out of Gabriel’s studio. From field guide-style lateral view restorations to fully fleshed-out, full color environments to evocative pieces rendered with the minimal color of ink, Gabriel’s body of work has attracted masses of…